I'm observing phenomena and activities and disseminating
them to people. I do it through myself. As I am a human
being, examinations of and discoveries within my soul and
feelings are not only concerned with myself but have a
broader human significance. People who surround me find
there familiar states of mind, something they have
experienced in themselves. I materialise those states of
mind on paper, canvas or space, and make them visible.
Sometimes fellow human beings find the joy of recognition
in my work, or they discover something totally new for them.
Sometimes they take no interest at all in what I have
depicted.
a view from a window:
A view from a window is necessary to relate yourself
to the world.
The opposite sex:
Arouses curiosity and stimulates.
Fire:
Has a cleansing and reconciling effect.
Egoism:
It makes you strong, but it also restricts and blinds
you.
Alcohol:
Stimulates. Creates an illusory world.
Air:
Can't say.
Intrigues:
They mobilise and strengthen you.
Which situation in your life has made you most
angry?
When I am unable to explain (and clarify) some
phenomenon or situation and make it understandable
because of my own, or someone else's limitations.
What does being an artist mean to you?
Being an intermediator.
What is sacred for you?
Both spiritual and physical territory - my own, and
that of other people.
If you could pick a location for the next
performance
I do not to want to have any more performances.
How do you relate to the mass media as a means for
an artist to become famous?
Our mass media is mostly concerned with itself and
selling its products. Mass media is not an adequate
vehicle for mediating art.
Estonian mass media and its products are weak. The
'media people', of course, think quite the opposite due
to their high self esteem. Seen through the media,
Estonia is a village, and the so-called trend church and
'media people' are its priests.
How has capitalism influenced your sense of
home?
Not essentially. I've always lived in
one-family-house. In a similar neighbouring house I
maintain my studio. Costs and income as principles of
capitalist economy were familiar to me even in the
socialist period.
How would you behave in a stranger's
kitchen?
I don't want to go into a stranger's kitchen, neither
am I interested in what goes on behind the scenes. In a
dining or reception room everything is laid out anyway. I
prefer being a guest.
What is your attitude towards feminism?
I can't say yes or no to things which exist despite of
me. In Estonia, people love questions pro or contra
something. So I have a natural attitude towards
feminism.
Born in Tallinn, Estonia, in 1960. 1974-8 studied art at
Tõnis Vint's studio, and 1978-84 art history at the
University of Tartu. His art was first shown at the
exhibition New Art from the Soviet Union in the USA, first
solo exhibition was held in Vilnius, Lithuania in 1978.
Siim-Tanel Annus' work are in many private collections and
museums in Estonia, Finland, Germany and USA. His first
performance was in 1980 in the garden of his home, his
latest at the Venice Biennial 1997.